FAH-DAD Art and Academic Lecture Series No.19:

人文學院藝術與設計系 : 藝術與學術系列講壇之十九:

The Deification of Objects and Their Symbolic System: A New Interpretation of 大駕鹵簿圖書

「物」的神格化及其象徵性系統——《大駕鹵簿圖書》新解 

《大駕鹵簿圖書》以恢弘的氣勢記錄了皇帝祭天時的盛大場面，其儀制之完善、分工之明晰，展現了泱泱大國的風範。

《大駕鹵簿圖書》的年代及作者聚訟紛紜，所涉問題非常廣泛。此講座主要討論畫中“龍旗十二”的源流、“物”的神格化和象徵性系統，以及全畫的圖式結構如何模仿天象圖，其象徵性系統語義為何？中道的輦輅象馬，旌節旗纛，簫鼓鐃吹與軍事行動的關係等，旨在從結構語言學的角度，結合天文考古學的視野，解讀《大駕鹵簿圖書》的文化密碼，揭示“物”的神格化及象徵性系統在繪畫中的重要性。

The dating and authorship of 大駕鹵簿圖書 have long been subjects of debate, involving a wide range of issues. This lecture primarily explores the origins of the “Dragon Banner Twelve,” the deification of objects and their symbolic system, as well as how the overall pictorial structure of the painting emulates celestial charts and the semantic implications of its symbolic system. It also examines the central palanquin and its horse-like figures, ceremonial banners and flags, musical instruments such as flutes, drums, and bells, and their relationship to military operations. By adopting a structural linguistic approach and integrating insights from archaeoastronomy, this lecture aims to decode the cultural symbols embedded in 大駕鹵簿圖書, revealing the significance of object deification and symbolic systems in painting.

日期Date: 16/4/2025 (Wed)

時間Time: 19:30 – 21:30

地點Venue: 崇文樓 (E34) G011演講廳 / 線上Online 

講者Speaker: 陳芳教授 Prof. CHEN Fang

語言Language: 普通話/ Mandarin

騰訊＆Voov: 423-079-766

FAH-DAD Art and Academic Lecture Series No.18:

人文學院藝術與設計系 : 藝術與學術系列講壇之十八:

1. Mr. Alejandro Guijarro : The Ephemeral Mind —Alejandro Guijarro and the Fragility of Knowledge

1. 短暫的思維:Alejandro Guijarro與知識碎片

Alejandro Guijarro的攝影實踐融合了藝術與科學領域，探討知識、記憶與視覺表現之間的關係。他最為知名的《Momentum》系列，以等比例的方式拍攝世界頂尖物理學研究機構的黑板，記錄那些稍縱即逝的複雜方程式與理論痕跡。

Guijarro的作品模糊了紀實與抽象的界限，塗抹、擦除與思維軌跡的殘留痕跡在其鏡頭下化為獨特的視覺景觀。本次講座將探討Guijarro的創作方法、他對知識物理性的關注，以及其攝影作品如何引導觀者思考人類認知的短暫與易逝性。

講座亦將深入剖析其作品的哲學意涵，探討其影像如何挑戰科學確定性的權威性，並凸顯視覺詮釋的主觀性。

Alejandro Guijarro’s photographic practice bridges the realms of art and science, interrogating the relationship between knowledge, memory, and visual representation. Best known for his Momentum series, Guijarro captures life-sized images of chalkboards from prestigious physics institutions, preserving the traces of complex equations and theories that are often ephemeral.

His work blurs the line between documentation and abstraction, as smudges, erasures, and remnants of thought processes become visual landscapes in their own right. This lecture explores Guijarro’s artistic methods, his fascination with the physicality of knowledge, and the ways his photography prompts viewers to reflect on the fragility and transience of human understanding.

We will delve into the philosophical implications of his work, considering how his images challenge the authority of scientific certainty, emphasising the subjective nature of visual interpretation.

2.Robert Platt: Primitive, Magical Unity:on art, embodiment, landscape, and acts of looking

2. Robert Platt:原始的、神奇的統一：論藝術、體現、景觀與觀看行為

Prof. Robert Platt的藝術實踐涉及對知覺、具身性（embodiment）以及形與背景關係消解的探索，透過繪畫、裝置與動態影像，研究影像如何抗拒固定詮釋，並在流動與連結的狀態中存在。

受德勒茲與瓜塔里（Deleuze & Guattari）關於「閃爍的形與背景關係」（flickering figure-ground relations）概念的啟發，我的創作拒絕穩定的形式，而是透過不斷的調變，促使視覺元素在流動中顯現。同時，我亦借鑒Gilbert Simondon的「原初的神秘統一」（primitive magical unity）概念，將知覺視為一種關係場域，使界線變得模糊。

透過抽象、分割與偽裝等手法，我的創作模糊了觀看者與被觀看物之間的界限。透明度與沉浸式構圖打破了單一視角，使作品成為感知變動的場域。透過強調流動性與交織性，我探討意義如何在運動、記憶與集體經驗中被重塑。

My artistic practice explores perception, embodiment, and the dissolution of figure-ground relationships through painting, installation, and moving image. My work examines how images resist fixed interpretations, existing instead in states of flux and connection.

Drawing on Deleuze and Guattari’s concept of ‘flickering figure-ground relations’, this approach resists stable forms, favoring shifting perceptions where elements emerge through continuous modulation. I also draw from Gilbert Simondon’s concept of ‘primitive magical unity’, exploring perception as a relational field where distinctions blur.

Through abstraction, fragmentation, and camouflage, these creative explorations erode the separation between viewer and viewed. Transparency and immersive compositions disrupt singular perspectives, positioning my practice as a site of perceptual flux. By emphasizing fluidity and entanglement, I investigate how meaning is reshaped through movement, memory, and collective experience.

日期Date: 27/3/2025 (Thu)

時間Time: 18:30 – 20:30

地點Venue: 崇文樓 (E34) G011演講廳 / 線上Online 

講者Speaker: Mr. Alejandro Guijarro & Prof. Robert Platt

語言Language: 英語/ English

騰訊＆Voov: 734-085-203

FAH-DAD Art and Academic Lecture Series No.17:

Through the Eye of the Storm: Innovation and Research in Art and Design

人文學院藝術與設計系 : 藝術與學術系列講壇之十七:

風眼——穿透“風眼”探尋藝術與設計領域的創作與研究

每次的科技變革猶如颱風的風眼，看似平靜但卻蘊含著顛覆世界的能量。從中國第一家網路公司的誕生到如今的AI技術，兩次「風眼」揭示了技術革命對設計本質的深刻影響。網路和AI的興起不僅改變了資訊傳播和創作方式，也引發了對藝術與設計領域衝擊與機遇的思考，講座將從創作思維、人機協作以及倫理問題的視角展開，並結合個人的創作與研究探索經歷，探討AI 時代下人類獨特的價值，以及如何充分發揮人類與技術的優勢，推動藝術設計的創作與研究的創新發展。

Each wave of technological revolution resembles the eye of a storm—seemingly calm, yet harboring the power to reshape the world. From the birth of China’s first internet company to the rise of AI technologies, these two “storm eyes” reveal the profound impact of technological revolutions on the very essence of design. The emergence of the internet and AI has not only transformed the ways information is disseminated and creative works are produced, but also prompted deep reflections on the challenges and opportunities they bring to the fields of art and design.

This lecture will explore these issues from the perspectives of creative thinking, human-machine collaboration, and ethical considerations. Drawing on personal experiences in creative practice and academic research, it will examine the unique value of human creativity in the age of AI, and discuss how to leverage the strengths of both humans and technology to drive innovative development in artistic creation and design research.

日期Date: 14/3/2025 (Fri)

時間Time: 18:30 – 20:30

地點Venue: 崇文樓 (E34) G011演講廳 / 線上Online 

講者Speaker: 馬泉教授 / Prof. MA Quan

語言Language: 普通話 / Mandarin

騰訊＆Voov: 865 093 687

FAH-DAD Art and Academic Lecture Series No.17:

Through the Eye of the Storm: Innovation and Research in Art and Design

人文學院藝術與設計系 : 藝術與學術系列講壇之十七:

風眼——穿透“風眼”探尋藝術與設計領域的創作與研究

每次的科技變革猶如颱風的風眼，看似平靜但卻蘊含著顛覆世界的能量。從中國第一家網路公司的誕生到如今的AI技術，兩次「風眼」揭示了技術革命對設計本質的深刻影響。網路和AI的興起不僅改變了資訊傳播和創作方式，也引發了對藝術與設計領域衝擊與機遇的思考，講座將從創作思維、人機協作以及倫理問題的視角展開，並結合個人的創作與研究探索經歷，探討AI 時代下人類獨特的價值，以及如何充分發揮人類與技術的優勢，推動藝術設計的創作與研究的創新發展。

Each wave of technological revolution resembles the eye of a storm—seemingly calm, yet harboring the power to reshape the world. From the birth of China’s first internet company to the rise of AI technologies, these two “storm eyes” reveal the profound impact of technological revolutions on the very essence of design. The emergence of the internet and AI has not only transformed the ways information is disseminated and creative works are produced, but also prompted deep reflections on the challenges and opportunities they bring to the fields of art and design.

This lecture will explore these issues from the perspectives of creative thinking, human-machine collaboration, and ethical considerations. Drawing on personal experiences in creative practice and academic research, it will examine the unique value of human creativity in the age of AI, and discuss how to leverage the strengths of both humans and technology to drive innovative development in artistic creation and design research.

日期Date: 14/3/2025 (Fri)

時間Time: 18:30 – 20:30

地點Venue: 崇文樓 (E34) G011演講廳 / 線上Online 

講者Speaker: 馬泉教授 / Prof. MA Quan

語言Language: 普通話 / Mandarin

騰訊＆Voov: 865 093 687